I ROBOT - The Alan Parsons Project

YEAR: 1977

LABEL: Arista

TRACK LISTING: I Robot, I Wouldn't Want To Be Like You, Some Other Time, Breakdown, Don't Let It Show, The Voice, Nucleus, Day After Day (The Show Must Go On), Total Eclipse, Genesis Ch. 1 V. 32

IMPRESSIONS: This is the first Alan Parsons Project album I bought for myself after hearing their debut "TALES OF MYSTERY AND IMAGINATION" album as a kid at my parents' friend Ronnie's house and, subsequently after my parents bought the first album for themselves. Of course, I loved the Edgar Allan Poe theme of the first album and the "robotic" science fiction theme of "I ROBOT" was sufficiently bizarre to make it interesting to me as well. Particular favourites are the ballads "Some Other Time" and "Day After Day" with their operatic bombast as well as one of my favourite Parsons instrumentals "Genesis Ch. 1 V. 32".

MY FAVOURITE TRACKS: I Robot, I Wouldn't Want To Be Like You, Some Other Time, Breakdown, Don't Let It Show, Day After Day (The Show Must Go On), Genesis Ch. 1 V. 32

GUEST ARTISTS: David Paton (bass, acoustic guitar), Lenny Zakatek (lead vocals on "I Wouldn't Want To Be Like You"), Peter Straker & Jaki Whitren (lead vocals on "Some Other Time"), Allan Clarke (lead vocal on "Breakdown"), Dave Townsend (lead vocal on "Don't Let It Show"), Steve Harley (lead vocal on "The Voice"), Jack Harris (lead vocal on "Day After Day (The Show Must Go On)")

FACT SHEET: I ROBOT is the Alan Parsons Project's second album. Like Steely Dan, the Project consists of a core duo of producer/engineer/keyboardist Alan Parsons and the late singer Eric Woolfson with a rotating cast of regular sidemen and studio musicians. All the tracks on I ROBOT were written by Woolfson/Parsons except "Total Eclipse" written by Andrew Powell. The album was based on the "I, ROBOT" stories by Isaac Asimov; the noted science fiction author was actually contacted by Woolfson about the album and was enthusiastic. Because the Asimov books were already licensed to a TV/movie company, the comma was dropped from the title and the songs were made less specifically about Asimov's book and more generically about robots. The album cover features the band members inside the escalator tubes in Charles DeGaulle airport's Terminal 1 outside Paris, France. A descriptive paragraph in the album's liner notes reads: "I ROBOT...THE STORY OF THE RISE OF THE MACHINE AND THE DECLINE OF MAN, WHICH PARADOXICALLY COINCIDED WITH HIS DISCOVERY OF THE WHEEL...AND A WARNING THAT HIS BRIEF DOMINANCE OF THIS PLANET WILL PROBABLY END, BECAUSE MAN TRIED TO CREATE ROBOT IN HIS OWN IMAGE." The tital of the final instrumental track "Genesis Ch. 1 V. 32" implies that robots are "a continuation of the story of Creation" since the first chapter of "Genesis" in the Bible only has 31 verses. Pat Benatar covered "Don't Let It Show" on her "IN THE HEAT OF THE NIGHT" album.

STARS - Various Artists

YEAR: 1977

LABEL: K-Tel

TRACK LISTING: The Things We Do For Love - 10cc, Rich Girl - Hall & Oates, Year of the Cat - Al Stewart, Torn Between Two Lovers - Mary MacGregor, A Little Bit More - Dr. Hook, Love Me - Yvonne Elliman, So Into You - Atlantic Rhythm Section, Devil Woman - Cliff Richard, Slow Dancin' Don't Turn Me On - Addrisi Brothers, I'm Your Boogie Man - K.C. & the Sunshine Band, Heaven Must Be Missing an Angel (Pt. 1) - Tavares, Don't Leave Me This Way - Thelma Houston, Cool Town - Stanky Brown Group, The World Is A Ghetto - War, Theme from "Roots" - Quincy Jones, Hard Luck Woman - Kiss, Tryin' To Love Two - William Bell, Couldn't Get It Right - Climax Blues Band

IMPRESSIONS: In our last episode, we discovered the magic that was K-Tel and were left with the burning question: What did I eat for lunch that's affecting me like this? Be that as it may, STARS was the next K-Tel record I bought after HIT MACHINE; this was after moving from Maple Surple to our new house in Clay Town. I was all of 11 years old. I remember spinning this record many times on my portable black record player that folded up like a suitcase; especially because my favourite song at the time was on it: Thelma Houston's "Don't Leave Me This Way". Of course, these were the editted radio versions of the singles; however I still have a soft spot in my heart for some of these songs which aren't exactly too great but give me an incredible rush of nostalgia. It's also hysterical to me that K-Tel seems to have shoved some really OLD songs (at the time) onto their records both here and on HIT MACHINE. On STARS, War's "The World Is A Ghetto" is from the early 70s and Paul Anka's cheesefest "(You're) Having My Baby" was from 1974 and appears on the 1976 HIT MACHINE album. Ha!

MY FAVOURITE TRACKS: The Things We Do For Love - 10cc, Rich Girl - Hall & Oates, Year of the Cat - Al Stewart, So In To You - Atlantic Rhythm Section, Devil Woman - Cliff Richard, I'm Your Boogie Man - K.C. & the Sunshine Band, Heaven Must Be Missing an Angel (Pt. 1) - Tavares, Don't Leave Me This Way - Thelma Houston, The World Is A Ghetto - War, Hard Luck Woman - Kiss, Couldn't Get It Right - Climax Blues Band

FACT SHEET: Once again, nothing really to say here. This is a K-Tel Records LP released in 1977.

HIT MACHINE - Various Artists

YEAR: 1976

LABEL: K-Tel

TRACK LISTING: (Shake, Shake, Shake) Shake Your Booty - K.C. & the Sunshine Band, Right Back Where We Started From - Maxine Nightingale, Moonlight Feels Right - Starbuck, Summer - War, When Will I Be Loved - Linda Ronstadt, Happy Days - Pratt & McClain, Our Day Will Come - Frankie Valli, (You're) Having My Baby - Paul Anka, Love Really Hurts Without You - Billy Ocean, Disco Duck (Pt. 1) - Rick Dees & His Cast of Idiots, Island Girl - Elton John, A Fifth of Beethoven - Walter Murphy & the Big Apple Band, Let Your Love Flow - Bellamy Brothers, Welcome Back - John Sebastian, Evil Woman - Electric Light Orchestra, Take A Hand - Rick Springfield, Rock and Roll All Nite - Kiss, I'm Not Lisa - Jessi Colter, Who Loves You? - Frankie Valli & the 4 Seasons, Disco Lady - Johnnie Taylor

IMPRESSIONS: Ahhhhhhh, K-Tel Records. Remember the days when you could pick up a K-Tel record and hear all the latest hit singles with sound quality worse than the actual albums? Apparently, the poorer sound quality was due to K-Tel cramming more grooves onto the record in order to fit more songs on it with a necessary loss in fidelity. But who cared back then? I was playing this on my portable black record player that folded up like a suitcase and was carried around by its handle! I do remember that this was the last LP I bought while still living in Maple Surple before we moved to Clay Town in January 1977. However, this would not be the last we'd hear from K-Tel Records . . . as tomorrow's post will show . . .

MY FAVOURITE TRACKS: (Shake, Shake, Shake) Shake Your Booty - K.C. & the Sunshine Band, Right Back Where We Started From - Maxine Nightingale, Moonlight Feels Right - Starbuck, Summer - War, Island Girl - Elton John, A Fifth of Beethoven - Walter Murphy & the Big Apple Band, Welcome Back - John Sebastian, Evil Woman - Electric Light Orchestra, Take A Hand - Rick Springfield, Rock and Roll All Nite - Kiss, Who Loves You - Frankie Valli & the 4 Seasons

FACT SHEET: There's nothing to tell, really, This is a K-Tel record released in 1976.

HOW DARE YOU! - 10cc

YEAR: 1976

LABEL: Mercury

TRACK LISTING: How Dare You, Lazy Ways, I Wanna Rule the World, I'm Mandy Fly Me, Iceberg, Art For Art's Sake, Rock 'n' Roll Lullaby, Head Room, Don't Hang Up

IMPRESSIONS: This is the "other" major 10cc album, along with "THE ORIGINAL SOUNDTRACK" (mentioned elsewhere on this blog), during my childhood years. Altogether stronger as a cohesive album than the earlier one, HOW DARE YOU! features the odd characters and situations typical of 10cc songs along with the cracked rhythms which are impossible to dance to. Each song is like a mini-movie and the final track "Don't Hang Up" is a mini-opera on the level of their previous album's masterpiece "Une Nuit a Paris (One Night in Paris)" featuring many melded melodies and tempi. The four gentlemen in 10cc wrote songs more for the brain than the groin.

MY FAVOURITE TRACKS: I Wanna Rule the World, I'm Mandy Fly Me, Iceberg, Art For Art's Sake, Rock 'n' Roll Lullaby, Don't Hang Up

FACT SHEET: HOW DARE YOU! is 10cc's fourth album; it is the final 10cc album to contain the classic lineup of Eric Stewart, Graham Gouldman, Kevin Godley and Lol Creme. The front and back cover art is by Hipgnosis; the same man and woman are seen in the background of all four cover "panels". "I'm Mandy Fly Me" refers to a contemporary National Airlines ad campaign; Eric Stewart changed the name to "Mandy". The intro to "I'm Mandy Fly Me" features an excerpt from earlier 10cc song "Clockwork Creep" meant to sound as if emanating from a small transistor radio.

MOOD MUSIC - Paul Weston & His Orchestra

YEAR: 1953

LABEL: Columbia

TRACK LISTING: When Your Lover Has Gone, My Silent Love, I'll Follow My Secret Heart, Moon Song, Yesterdays, One Night of Love, Under A Blanket of Blue, Stardust, All Alone, Then I'll Be Tired of You, What'll I Do, Among My Souvenirs

IMPRESSIONS: There is no better album to put on while mixing up some cocktails in your smoking jacket or lounging in a slinky dress on your zebra-skin sofa while candlelight glints off your diamond tiara. No seriously, I mean it. Paul Weston invented the "mood music" genre with his series of albums starting with "MUSIC FOR DREAMING" in 1945 at Capitol Records and continuing when he and his wife Jo Stafford moved over to Columbia in 1950. These albums sounds similar to the kind of thing Jackie Gleason and his orchestra were releasing; something I call "doctor's office music" or what others commonly call elevator music. Lush lush lush. And I'm referring to how the music sounds NOT the conductor's drinking proclivities. But now that I've mentioned drinks . . . let's head on over to the tiki bar and get us a couple while we listen to Paul Weston's "MOOD MUSIC"!

MY FAVOURITE TRACKS: When Your Lover Has Gone, My Silent Love, I'll Follow My Secret Heart, Moon Song, Yesterdays, Under A Blanket of Blue, Stardust, What'll I Do, Among My Souvenirs

FACT SHEET: It's a little difficult to track these things but "MOOD MUSIC" is probably Paul Weston's 13th album. Weston worked as an arranger, songwriter (he co-wrote the standard "I SHOULD CARE" among others) and orchestra leader in films and radio as well as on record. He was tapped by Johnny Mercer to work for his fledgling Capitol Records label where he "invented" the lounge music genre of easy listening entitled "mood music" with his 1945 Capitol album "MUSIC FOR DREAMING". Weston married singer Jo Stafford in 1952. Together the couple secretly recorded and released some musical comedy albums as "Jonathan and Darlene Edwards"; Jonathan was said to have two left hands and played the piano atrociously while Darlene sang even worse. The identity of the pair was rumoured to be someone very famous in the music industry but it was a while before Stafford and Weston revealed their identities.

I CAN'T STAND THE RAIN - Ann Peebles

YEAR: 1974

LABEL: Hi

TRACK LISTING: I Can't Stand the Rain, Do I Need You, Until You Came Into My Life, (You Keep Me) Hanging On, Run Run Run, If We Can't Trust Each Other, A Love Vibration, You Got To Feed the Fire, I'm Gonna Tear Your Playhouse Down, One Way Street

IMPRESSIONS: As allmusic.com's Steve Leggett so aptly put it, Ann Peebles "...sings like a resilient but disappointed angel on this set of songs about the darker side of love." The sounds is pure Hi Records with the renowned Hi Rhythm Section providing a laid back but funky bed for Peeble's sultry vocals. There's a very good reason why this sounds like an Al Green album; it was produced by Al Green's Svengali Willie Mitchell. A hot slice of 70's soul! This is the perfect record to put on towards the end of a late night party.

MY FAVOURITE TRACKS: All of 'em . . . hey, there's only ten.

FACT SHEET: I CAN'T STAND THE RAIN is Ann Peebles' fourth album. Peebles was discovered by Hi Records' Gene "Bowlegs" Miller: a bandleader who often helped artists including the Hi Rhythm Section get their start. Peebles began singing and co-writing hits with Hi Records staff songwriter Don Bryant; the couple married in 1974. The album was produced by Willie Mitchell.

COURT AND SPARK - Joni Mitchell

YEAR: 1974

LABEL: Asylum

TRACK LISTING: Court and Spark, Help Me, Free Man In Paris, People's Parties, The Same Situation, Car On A Hill, Down To You, Just Like This Train, Raised On Robbery, Trouble Child, Twisted

IMPRESSIONS: Praised critically and selling like gangbusters, Joni Mitchell seems to make her first inroads towards combining her folk-rock sound with some jazz influences. This is also the album which gave Mitchell her one and only top 10 single in "Help Me" which received heavy radio play. There's something about this album that makes me all warm and fuzzy when I put it on. The album also contains some of my favourite Joni Mitchell songs: Car On A Hill, Free Man In Paris and the title track. In fact, there's something about the laid back, easiness of the song "Court and Spark" which transports me to Joni-land; and that's a really nice place to be.

MY FAVOURITE TRACKS: Court and Spark, Help Me, Free Man In Paris, The Same Situation, Car On A Hill, Down To You, Trouble Child, Twisted

GUEST ARTISTS: David Crosby (vocals on "Free Man In Paris" and "Down To You"), Graham Nash (vocals on "Free Man In Paris"), Robbie Robertson (electric guitar on "Raised On Robbery"), Jose Feliciano (electric guitar on "Free Man In Paris"), Cheech Marin (background voice on "Twisted"), Tommy Chong (background voice on "Twisted")

FACT SHEET: COURT AND SPARK is Joni Mitchell's sixth album and her most successful commercially reaching #2 on Billboard's charts and going double platinum. Besides writing, arranging and performing, Joni Mitchell also produced the album. "Twisted" is a cover of jazz singer Annie Ross' song; Ross was a member of the jazz vocal trio Lambert, Hendricks & Ross.

RAISED ON RADIO - Journey

YEAR: 1986

LABEL: Columbia

TRACK LISTING: Girl Can't Help It, Positive Touch, Suzanne, Be Good To Yourself, Once You Love Somebody, Happy To Give, Raised On Radio, I'll Be Alright Without You, It Could Have Been You, The Eyes of a Woman, Why Can't This Night Go On Forever

IMPRESSIONS: I guess Steve Perry was right all along because this is my favourite Journey album. This might come as a shock to some Journey fans who dismiss it as Steve Perry taking over the whole show and firing two long time bandmates in order to turn Journey into a carbon copy of his solo album STREET PARTY. However, while there are some songs on here which sounds like they could've come from the solo album, most of them sounds very much like contemporary Journey songs (and ALL the songs on the album were co-written by Steve Perry, Jonathan Cain and Neal Schon together). The fact remains that this is the only Journey album which I listen to all the way through without skipping any songs; the two monster-selling previous Journey albums FRONTIERS and ESCAPE have very strong songs but also quite a few you need to skip over. So despite it all, I find RAISED ON RADIO to be Journey's most consistent album to listen to and it contains some of my all-time favourite Journey songs: "Positive Touch", "Raised On Radio", "I'll Be Alright Without You" and especially "Why Can't This Night Go On Forever". Besides these, there are also the almost-as-good "Girl Can't Help It", "Once You Love Somebody", "Happy To Give", "It Could Have Been You" and "The Eyes of a Woman" which shouldn't be missed. So in all actuality, RAISED ON RADIO isn't as much of a departure (heh heh...get it?) as some would like us to believe. A good, solid 80's rock album from Journey.

MY FAVOURITE TRACKS: Girl Can't Help It, Positive Touch, Be Good To Yourself, Once You Love Somebody, Happy To Give, Raised On Radio, I'll Be Alright Without You, It Could Have Been You, The Eyes of a Woman, Why Can't This Night Go On Forever

FACT SHEET: RAISED ON RADIO is Journey's ninth album. After the firing of band members Ross Valory and Steve Smith, Journey consisted of Steve Perry, Neal Schon, Jonathan Cain and new members Randy Jackson (yes, THAT Randy Jackson) on bass and Larry Londin on drums (although Steve Smith did contribute to 3 tracks on the album). Steve Perry produced the album and also changed to title to RAISED ON RADIO from the original project title FREEDOM. The album reached #4 on the Billboard charts and went twice multi-platinum producing 4 top 40 singles: Girl Can't Help It (#17), Be Good To Yourself (#9), I'll Be Alright Without You (#14) and Suzanne (#17).

THE COMPLETE COLLECTION AND THEN SOME... - Barry Manilow

YEAR: 1992

LABEL: Arista

TRACK LISTING: The Best of Me (Intro Only), Sweet Life (Live), I Am Your Child (Live), Could It Be Magic (Featherbed featuring Barry Manilow), Could It Be Magic, Brandy (Original Scott English Single), Mandy (Original First Take), It's A Miracle, Sandra (Live), I Write the Songs, As Sure As I'm Standing Here, New York City Rhythm, Tryin' To Get the Feeling Again (Alternate Take), All the Time, Ready To Take A Chance Again, Somewhere In the Night, The Old Songs, I Don't Want To Walk Without You, If I Should Love Again (Alternate Take), Copacabana (Home cassette of composing the song), Copacabana (At the Copa), Dancin' Fool, I'm Your Man, Hey Mambo, Big Fun, Riders To the Stars (Live), I Wanna Be Somebody's Baby (Live), Daybreak (Live), Even Now (Live), Life Will Go On (Live), Memory (Live), Ships (Live), If I Can Dream (Live), One Voice (Live), This One's For You (Demo), Lay Me Down, Big City Blues, Somewhere Down the Road (Demo), A Little Traveling Music Please, You Could Show Me, Ave Maria, Look To the Rainbow, Joey (Demo), Please Don't Be Scared, Baby It's Cold Outside, When October Goes, Ain't It A Shame, Brooklyn Blues, How Do I Stop Loving You? (Demo), Just Remember (Live), I Can't Teach My Old Heart New Tricks, Weekend In New England, Give My Regards To Broadway (Live), Send In the Clowns/Looks Like We Made It (Live), Can't Smile Without You (Alternate First Take), Beautiful Music, Fugue For Tinhorns, My Girl/No One In This World, Don't Talk To Me of Love, The Last Duet, Wild Places (Demo), Never Met A Man I Didn't Like, Who Needs To Dream, Read 'Em and Weep, Let Freedom Ring, Let Me Be Your Wings, If Tomorrow Never Comes, Another Life, I Made It Through the Rain (Alternate Take), The Best of Me

IMPRESSIONS: Whenever November rolls around, I always seem to grab for this box set. A superb retrospective of Barr's career including well-known hits, unreleased demos and alternate takes and live performances.

MY FAVOURITE TRACKS: Sweet Life (Live), I Am Your Child (Live), Could It Be Magic, Sandra (Live), Tryin' To Get the Feeling (Alternate Take), All the Time, Somewhere In the Night, Hey Mambo, Big Fun, Riders To the Stars (Live), I Wanna Be Somebody's Baby (Live), Even Now (Live), Ships (Live), If I Can Dream (Live), One Voice (Live), This One's For You (Demo), Lay Me Down, Somewhere Down the Road (Demo), A Little Travelling Music Please, Ave Maria, Baby It's Cold Outside, When October Goes, Brooklyn Blues, Just Remember (Live), I Can't Teach My Old Heart New Tricks, Weekend In New England, Beautiful Music, Fugue For Tinhorns, Don't Talk To Me of Love, The Last Duet, Never Met A Man I Didn't Like, Read 'Em and Weep, If Tomorrow Never Comes, I Made It Through the Rain (Alternate Take)

GUEST ARTISTS: Scott English (vocal on "Brandy"), Kid Creole & the Cocoanuts (vocal/performance on "Hey Mambo"), Full Swing (vocals on "Big Fun"), Mel Torme (vocal on "Big City Blues"), Gerry Mulligan (baritone sax on "Big City Blues"), Barbara Cook (vocal on "Look To the Rainbow"), K.T. Oslin (vocal on "Baby It's Cold Outside"), Michael Crawford (vocal on "Fugue For Tinhorns"), Hinton Battle (vocal on "Fugue For Tinhorns), Melissa Manchester (vocal on "My Girl/No One In This World"), Mirielle Mathieu (vocal on "Don't Talk To Me of Love"), Lily Tomlin (vocal on "The Last Duet")

FACT SHEET: THE COMPLETE COLLECTION AND THEN SOME... is a career-spanning box set containing 4 cds and 1 videotape (recently remastered and re-released with a DVD). "I Don't Want To Walk Without You" was written by Frank Loesser & Jule Styne. "Memory" was written by Andrew Lloyd Webber, Trevor Nunn & T.S. Eliot. "Ships" was written by Ian Hunter. "Look To the Rainbow" was written by Burton Lane & E.Y. Harburg. "Baby It's Cold Outside" was written by Frank Loesser (which won an Academy Award for Best Song) and "Fugue For Tinhorns" (from the musical "GUYS AND DOLLS"). Barry Manilow & Johnny Mercer wrote "When October Goes", "Just Remember" and "I Can't Teach My Old Heart New Tricks". George M. Cohan wrote "Give My Regards To Broadway". Stephen Sondheim wrote "Send In the Clowns". "My Girl" was written by Smokey Robinson. "Never Met A Man I Didn't Like" was written by Cy Coleman, Betty Comden & Adolph Green. "Read 'Em and Weep" was written by Jim Steinman. "If Tomorrow Never Comes" was written by Garth Brooks and Kent Blazy. "The Best of Me" was written by Richard Marx, David Foster and Jeremy Lubbock.

BING & SATCHMO - Bing Crosby & Louis Armstrong

YEAR: 1960
LABEL: MGM/EMI

TRACK LISTING: Muskrat Ramble, Sugar (That Sugar Baby O' Mine), The Preacher, Dardanella, Let's Sing Like A Dixieland Band, Way Down Yonder In New Orleans, Brother Bill, Little Ol' Tune, At the Jazz Band Ball, Rocky Mountain Moon, Bye Bye Blues

BONUS TRACKS: Lazy River

IMPRESSIONS: Here we have good friends getting together to record an album for the fun of it. Relaxed and easy, Bing and Louis settle into these old, old songs like a comfortable easy chair as each takes turns singing a verse then usually finishing up dueting together. The stereo orchestra by Billy May is lush (perhaps a little TOO lush) and the peppy chorus can be distracting and out-of-place as both occasionally attempt to drown out these two old pros; however, even these slight misteps cannot derail the camaraderie on display here between these two monumental performers. What makes rather ordinary songs extraordinary is the patented witty patter shooting back and forth between Bing and Louis which often makes each singer laugh at what sounds like ad-libs. Worn in as a pair of soft shoes, this album provides nothing challenging but is simply a celebration of a musical friendship.

MY FAVOURITE TRACKS: Sugar (That Sugar Baby O' Mine), Dardanella, Let's Sing Like A Dixieland Band, Way Down Yonder In New Orleans, Brother Bill, At the Jazz Band Ball, Rocky Mountain Moon, Bye Bye Blues, Lazy River

FACT SHEET: BING & SATCHMO is the only album Crosby & Armstrong recorded together. The orchestra is arranged and conducted by Billy May.

A MAN AIN'T SUPPOSED TO CRY - Joe Williams

YEAR: 1958

LABEL: Roulette

TRACK LISTING: What's New?, It's the Talk of the Town, I'll Never Smile Again, I'm Thru With Love, Where Are You (Top of the Town), I've Only Myself To Blame, Say It Isn't So, What Will I Tell My Heart, You've Got Me Crying Again, Can't We Talk It Over, I Laugh To Keep From Crying, A Man Ain't Supposed To Cry

IMPRESSIONS: Here's another one of those wonderful torch song albums; this time with the warm vibrato of Joe Williams. Much in the Billy Eckstine or Johnny Hartman style of baritone voices, Joe Williams' voice perfectly suits these songs and arrangements. Newly acquired by Roulette, Joe was being presented to make a big commercial hit with the lush romantic ballads contained herein. Williams had just had a monumental hit over at Verve with the Count Basie Orchestra on "Every Day I Have the Blues" and Roulette's Morris Levy wanted more of the same. No matter the motives, this album is a wonderful low-key listen . . . even if the orchestra is a little overpowering at times.

MY FAVOURITE TRACKS: It's the Talk of the Town, I'll Never Smile Again, I'm Thru With Love, I've Only Myself To Blame, Say It Isn't So, I Laugh To Keep From Crying, A Man Ain't Supposed To Cry

FACT SHEET: A MAN AIN'T SUPPOSED TO CRY is Joe Williams' first album for Roulette records after leaving Verve. The swing orchestra is arranged by Jimmy Mundy.

MIRACLES OF SANT'IAGO: MUSIC FROM THE CODEX CALIXTINUS - Anonymous 4

YEAR: 1996

LABEL: Harmonia Mundi

TRACK LISTING: Invitatory: Venite omnes cristicole, Processional: Salve festa dies, Benedicamus trope: Vox nostra resonet, Invitatory: Regem Regum Dominum, Benedicamus trope: Nostra phalanx plaudat leta, Antiphon: Ad sepulcrum beati Iacobi, Benedicamus trope: Ad superni regis decus, Brief responsory: Iacobe servorum, Benedicamus Domino, Conductus: In hac die laudes, Kyrie trope: Cunctipotens genitor, Hymn: Psallat chorus celestium, Prose: Alleluia - Gratulemur et letemur, Offertory: Ascendens Ihesus in montem, Agnus dei trope: Qui pius ac mitis, Benedicamus trope: Gratulantes celebremus festum, Conductus: Iacobe sancte tuum, Responsory: O adiutor omnium seculorum, Prosa: Portum in ultimo, Benedicamus trope: Congaudeant catholici, Prosa: Clemens servulorum

IMPRESSIONS: Since I've been obsessing lately about el Camino de Santiago (The Way of St. James pilgrimage), I thought it would be rather appropriate to select this Anonymous 4 album which features music taken from the Codex Calixtinus: the original "tour guide" for the pilgrimage trail. When I say "obsessed", I mean that I've gone so far as to consult the American website to apply for the "credentials" or "pilgrim's passport" one needs before embarking on the camino. I've looked . . . I haven't signed up. But that doesn't mean I don't want to. Having said that, I think this album would be one of the most appropriate to have on one's ipod earbuds during the walk from France to Spain. I have always been a fan of medieval music, chants and polyphony, and have gotten several of Anonymous 4's albums over the years. But this is the one I'm listening to a lot at the moment after seeing Emilio Estevez's startlingly good film "THE WAY" as well as Luis Bunuel's "THE MILKY WAY" (which also takes place on the camino) and then fairly heavily researching the pilgrimage and buying two books on the subject. Hey, when I go overboard, I GO OVERBOARD!

MY FAVOURITE TRACKS: I view this album as more of a piece so I guess all of 'em.

FACT SHEET: MIRACLES OF SANT'IAGO is Anonymous 4's sixth album. The Codex Calixtinus (aka "JACOBUS" or "LIBER SANCTI JACOBI") consists of five books containing sermons on St. James, chants and lessons for his feasts, accounts of the legends and miracles attributed to St. James, an epic featuring Charlemagne in Spain, a "travel guide" to the pilgrimage routes through France and Spain and a circa 12th century supplement of polyphonic music. Since the 12th century, this Codex has resided at the destination of the pilgrimage: the Cathedral of Santiago de Compostela in Galicia, Spain. About 90 percent of the music is plainchant for St. James feast days (July 25 & December 30) while only about 10 percent of the music is polyphonic; however it is the later which commands most attention and is featured in this album because it represents some of the first known examples of polyphony we have in written form. The remains of St. James (the first apostle and first to be martyred) are entombed at the Cathedral and became one of the three major pilgrimage destinations (Jerusalem and Rome being the other two) since the medieval period and el Camino de Santiago still attracts scores of pilgrims every year. New York City's female a cappella quartet Anonymous 4 consists of Marsha Genesky, Susan Hellauer, Jacqueline Horner and Ruth Cunningham; they specialize in recording medieval music but also have performed modern composers' work including John Taverner. The name "Anonymous 4" is a pun on the anonymous 13th century English music theorist known only as "Anonymous IV" who is the principal source of two famous composers of the Notre Dame school: Perotin and Leonin.

THE BIRDS, THE BEES & THE MONKEES - The Monkees

YEAR: 1968

LABEL: Colgems

TRACK LISTING: Dream World, Auntie's Municipal Court, We Were Made For Each Other, Tapioca Tundra, Daydream Believer, Writing Wrongs, I'll Be Back Up On My Feet, The Poster, P.O. Box 9847, Magnolia Simms, Valleri, Zor and Zam

BONUS TRACKS: (on the 1994 Rhino reissue): Alvin, I'm Gonna Try, P.O. Box 9847 (Alternate Mix), The Girl I Left Behind Me, Lady's Baby

IMPRESSIONS: You know, I've always called this the Monkees' "Sgt. Pepper" but I think I may just be wrong about that. It's possibly more like their "White Album". Or maybe it really IS their "Sgt. Pepper" now that I think of it. It's far too psychedelic to be their "White Album". However, you squeeze it, "TBTB&TM" is an album I have had my entire life; in fact, I've had it so long I cannot even remember how it came into my possession or when. It certainly must've been only a couple years after it's release in 1968. I'd say I must've had it since I was 4 or 5 years of age, definitely. Yesterday's death of Davy Jones brought to mind my childhood when I never missed a Monkees rerun on telly (Channel 48 played them, dontcha know). The classic TV show was probably my young mind's first encounter with absurdist humour which I would come to worship in the coming years in such comedy gods as "MONTY PYTHON'S FLYING CIRCUS", The Marx Brothers and "THE GOON SHOW". But I think THE MONKEES actually wormed its way into my mind a couple years before the Marx Brothers movies. As far as the music is concerned, the Monkees always got a bad rap for not playing their instruments or writing their songs. Somehow that's supposed to be a bad thing. I don't seem to recall Mario Lanza getting flak for not playing an instrument or Ella Fitzgerald slagged off for not writing her own songs. The Pre-Fab Four were certainly nowhere near the same league but they were a nice-enough pop group that benefitted from a stable of excellent songwriters: Neil Diamond, Harry Nilsson, Carol Bayer Sager, Tommy Boyce & Bobby Hart, John Stewart and Neil Sedaka are just a few of the top drawer talent providing songs for the group. Well respected songwriters all and the songs were good regardless of who was singing them. Here we have the Monkees beating their heads against the wall for respect. Tired of the prepackaged label, the Monkees insisted on more creative control and were allowed to play their own instruments with their previous album "PISCES, AQUARIUS, CAPRICORN & JONES LTD." which is generally considered their finest album. I wouldn't know because I don't own it. This is the one I've owned all my life and it's a damn fine album as well. Here Mickey Dolenz, Davy Jones, Peter Tork & Michael Nesmith have jumped feat first into the 60's psychedelic era with the trippiest song cycle since the HEAD soundtrack. The elaborate cover practically announces they're going for a SGT. PEPPER-type album; the album recording sessions began only a couple months after the Beatles' released PEPPER in 1967. There is no way I can listen to this album without being transported right back to my single digits; I even recall an early birthday party where this album was used for the music to a game of musical chairs! The album is a psychedelic 60s treasure trove: the record scratches and skips on Nesmith's "Magnolia Simms", the propulsive bombast of "Valleri", the kitchen-sink bubblegum of "Daydream Believer", the mystical medieval majesty of "Zor and Zam" or the LSD inspired "Tapioca Tundra" are all minor masterpieces. This is an album which always puts a big grin on my kisser.

MY FAVOURITE TRACKS: Dream World, Auntie's Municipal Court, Tapioca Tundra, Daydream Believer, I'll Be Back Up On My Feet, P.O. Box 9847, Magnolia Simms, Valleri, Zor and Zam, Alvin

GUEST ARTISTS: Harry Nilsson (piano on "Auntie's Municipal Court"), Bill Martin (percussion on "Daydream Believer"), Hal Blaine (drums on "The Poster"), Stephen Stills (electric guitar on "Lady's Baby")

FACT SHEET: THE BIRDS, THE BEES & THE MONKEES is the Monkees' fifth album. It sold over a million copies but was the first Monkees album that didn't reach number one; it made it to number three. After finally gaining artistic control and recording together as a band on their previous album, TBTB&TM saw the four members basically coming up with and recording their own tracks separately from the others often in different studios; although all recordings were agreed to bear the legend "Produced by The Monkees" this is somewhat the same thing that happened on the Beatles' "White Album". The resulting album is something of a fractured affair (although in the best possible way) featuring contrasting musical styles between Mike Nesmith's country/western or LSD trippy tracks, Davy Jones' Broadway pop/bubblegum style and Mickey Dolenz's straitforward rock and roll. Peter Tork, very disturbed by the group's not working together as a unit, found most of his songs considered for the album but eventually not included; Tork's participation is almost non-existent with his sole appearance on the album consisting of his playing piano on "Daydream Believer". "We Were Made For Each Other" was written by Carole Bayer & George Fischoff. Former Kingston Trio member John Stewart wrote the smash number one hit "Daydream Believer". Perennial Monkees songsmiths Tommy Boyce & Bobby Hart wrote "P.O. Box 9847" and "Valleri".

ULTRAGLIDE IN BLACK - The Dirtbombs

YEAR: 2001

LABEL: In the Red

TRACK LISTING: Chains of Love, If You Can Want, Underdog, Your Love Belongs Under A Rock, I'll Wait, Livin' For the City, The Thing, Kung Fu, Ode To A Black Man, Got To Give It Up, Livin' For the Weekend, I'm Qualified To Satisfy You, Do You See My Love

IMPRESSIONS: A raunchy rockin' party record mixing garage rock, fuzzy guitars and classic soul songs. Lead singer Mick Collins (of the garage punk band the Gories) says this album to the black music he grew up with. A perhaps perfect description of this album of covers (with one exception) is found on itunes: "The Dirtbombs have created a record that is akin to stumbling across a box of cool records in your parents' attic, and is suitable for continuous play at any house party."

MY FAVOURITE TRACKS: Chains of Love, If You Can Want, Underdog, I'll Wait, Livin' For the City, Kung Fu, Ode To A Black Man, Got To Give It Up, I'm Qualified To Satisfy You, Do You See My Love (For You Growing)

FACT SHEET: ULTRAGLIDE IN BLACK is the Dirtbombs' second album. The Dirtbombs is a side project by singer Mick Collins of the influential Detroit garage punk band the Gories. All songs on the album are covers except "Your Love Belongs Under a Rock". "Chains of Love" is a J.J. Barnes song. "If You Can Wait" was originally by Smokey Robinson and the Miracles. "Underdog" is a Sly and the Family Stone cover. "I'll Wait" is a song from George Clinton's early band the Parliaments. "Livin' For the City" is a Stevie Wonder song. "The Thing" was originally by Larry Bright. "Kung Fu" is a Curtis Mayfield song. "Ode To A Black Man" is a Phil Lynott song. "Got To Give It Up" is a Marvin Gaye cover. "Livin' For the Weekend" is an O'Jays song. "I'm Qualified To Satisfy You" is a Barry White cover. "Do You See My Love (For You Growing)" is a song by Jr. Walker and the All-Stars. The album cover is an homage to Stevie Wonder's 1967 album "I WAS MADE TO LOVE HER".